Wednesday, September 30, 2009

Inspirations & Precedents

Herzog and de Meuron's Goetz Collection Building
Inspired by the use of frosted class and internal lighting to create a "glow"/ lantern effect. The building is also used as a gallery for private collections.
Frank Gehry's Guggenheim Bilbao
Drawn from Frank Gehry's own design, his use of glass and steel in the Guggenheim building really inspired me to use the steel frames and mesh out a new structure out of the current Vitra Design Museum.
Jun Aoki & Associates's White Chapel in Japan
Inspired by its luminescence glow and the use of steel "hoops" linked together to create a transcending presence. The Chapel itself glows beautiful at night while at the same "floating" on water.
"the chapel was built within the site of hyatt regency osaka and it is mainly used for wedding ceremonies. the 'ring' structural system is hung along the perimeter of the chapel, which consists of truncated tetrahedrons made of steel rings. from inside, one can see the rings only through layered fabrics so that their presence is softly insinuated."

150 Words of Ideas and Intention

Initial Idea
My initial idea for the redesigning of this building includes the relocation of the museum to a more urban environment - a busy CBD, built up area OR on a spread of water, where the building may appear not only glow but also appear floating on water, like a weightless structure. Then to add to that, i am inspired to change the materiality of the building to steel & glass based.

Inspired by Herzog and de Meuron's designs of the Goetz Collection building and the Rem Koolhas's Kunsthal building, i intend to use "frosted glass" instead of normal clear glass to make the building "glow" in a lantern light way - in the middle of a busy CBD during night times. Also i believe by using frosted glass, this would prevent art displays from direct, harsh sunlight.

The outer structure of the building, i also have intentions of altering it to make a more complex steel frame structure - not the typical straight grid like square form, but as a more complex "curvy" & criss-cross lattice form - to relate to Frank Gehry's initial concepts for this building.

Second Idea
Inspired by the cross shaped form and the white wash of the building, i have came to a conclusion of transforming the building into a contemporary church. While taking Frank Gehry's original model's juxtaposed elements, i have decided to strip away some of the exterior opaque walls and instead replace them with glass facades in order to allow a higher degree of light into the inner chambers the building.

While still keeping the exterior walls white, the internal walls shall be covered with timber walling to ensure a "warm" feel within the church. While elements such as the altar, and the stairs shall be covered in marble to expose a "grand" feel inside the church.

Internally, the structure shall be altered to control the flow of the whole building, while along with this various internal walls shall also have slots cut into it in order to expose the inner chambers - mass area with light (inspired by Le Corbusier's Notre Dame de Haut) in order to create a contemplative environment.

While altering the inner chambers, i intend to keep the building "Frank Gehry"-like, therefore i would not alter too much of the external elements apart from changing some walls structurally.

Overall i wish the transform the original museum into a modern and contemporary church when looked at from the exterior, but at the same time maintaining a sense of traditional feel within the church by using timber materially.

Concept: to create a contemporary church by using Frank Gehry's original intentions of the juxtaposed elements combined with internal structural and material alterations, while at the same time maintaining the traditional essences of a Church, embedding a contemplative environment for worship by manipulating exposures of light into the inner chambers of the building. In addition, the church is to be situated adjacent to the sea in a "dramatic" environment.

Monday, September 21, 2009

Guggenheim Museum Bilbao

Case Study - 250 words Research and Images (Preliminary Research)

The Guggenheim Museum Bilbao, designed by famous architect Frank Gehry and built by Ferrovial, is a building of composed of Gehry's signature styles of continuous curvatures and free-form sculpture designs.

Opened in 1997, the building was immediately named the world's most spectacular building in the style of Deconstructivism (though Gehry does not associate himself with the architectural movement) and also became probably the most often mentioned new building through 1998 and 1999.

The building itself can be called a product of the period's technology. Gehry's use of a combination of Computer Aided Three Dimensional Interactive Application (CATIA) and visualizations, enabled him to translate poetic forms into reality.

Located in a "port town", the building was intended to resemble a ship. In addition, the seemingly "random" curvatures of the building, as quoted by the architect himself, were designed with the intentions of catching light. Combined with the use of reflective titanium panels, glass and stone, the building not only "catches" light but also resembles fish scales, which echoes the other organic life forms that recur commonly in Frank Gehry's other designs.

""One of the most innovative buildings of the 20th century"
—Philip Johnson"

References (Images)
- http://www.guggenheim-bilbao.es/
- http://www.greatbuildings.com

Vitra Design Museum

SketchUp Working Model
Group Members: Lillian Hoang, Sharon Lam & Tiffany Lau

Group Research

The Vitra Design Museum designed by Frank Owen Gehry began from the furniture producer, Rolf Felbaum’s wish to document the roots and history of his craft. And thus following his wish, he commissioned Frank Gehry to design The Vitra Design Museum, which in contrast to other museums, where furniture design is only one subject among many; it focuses principally upon its historical and future developments

Under the guidance of Alexander von Vegesack, the museum was completed and opened to the public in 1989.

The museum design houses qualities of a sculpted building with its steady swirl of white forms as the exterior combined with a powerful interlocking interior. Assembled by distinct volumes of random patterns - spirals, wedges, cubes, crosses and so on, it creates a harmonious structure as a whole, for they interlock by enclosing every shape of the museum together; staircases, vaulted galleries and ceilings. These dynamic shapes allow the museum to have boundless energy all around, from exterior to interior. In addition, the museum’s sleek design creates a prestigious image of enterprise with its technical superiority - a style which has been used by Frank Gehry throughout his designs.

Above: The cubist assemblage of interlocking forms demonstrated in Frank Gehry's Vitra Design Museum.

Cruciform glazed openings from the structures of the building, such as the central roof on the second floor, provide the museum with extensive natural illumination. The use of white plaster also added to the building's vibrance as well as the titanium finishes. This limitation in the choice of materials evoked the "Balancing Tools" rules.




Above: Displays of interior furniture of both special and permanent exhibitions within the building, shows how everything flows together.


Above: The curve structure effectively wrapping and enclosing the staircase inside the building.

The museum is not dependent on the Vitra Company as it covers its own budgets through exhibitions and publications of themes of furniture design as the museum hold one of the largest collections of modern furniture designs. It's one of his successful overseas projects which helped him gain international recognition.

References

- Museum Architecture, Justin Henderson, Gloucester, Massachusetts, 1998.

- Frank Gehry Vitra Design Museum by Olivier Boissiere and Matrtin Filler

- http://www.design-museum.de/vitra/architektur/index.php?sid=0156492183380fbab3ebd24c3f5943f9&language=en

Tuesday, September 1, 2009

Final Poster - Photographs & PDF

Photographs of the 2.5D Poster
(Version 1 - with flash)
(Version 2 - without flash)

PDF Image of the Poster