Wednesday, September 30, 2009
Inspirations & Precedents
150 Words of Ideas and Intention
Monday, September 21, 2009
Guggenheim Museum Bilbao
Located in a "port town", the building was intended to resemble a ship. In addition, the seemingly "random" curvatures of the building, as quoted by the architect himself, were designed with the intentions of catching light. Combined with the use of reflective titanium panels, glass and stone, the building not only "catches" light but also resembles fish scales, which echoes the other organic life forms that recur commonly in Frank Gehry's other designs.
Vitra Design Museum
Group Research
The Vitra Design Museum designed by Frank Owen Gehry began from the furniture producer, Rolf Felbaum’s wish to document the roots and history of his craft. And thus following his wish, he commissioned Frank Gehry to design The Vitra Design Museum, which in contrast to other museums, where furniture design is only one subject among many; it focuses principally upon its historical and future developments
Under the guidance of Alexander von Vegesack, the museum was completed and opened to the public in 1989.
The museum design houses qualities of a sculpted building with its steady swirl of white forms as the exterior combined with a powerful interlocking interior. Assembled by distinct volumes of random patterns - spirals, wedges, cubes, crosses and so on, it creates a harmonious structure as a whole, for they interlock by enclosing every shape of the museum together; staircases, vaulted galleries and ceilings. These dynamic shapes allow the museum to have boundless energy all around, from exterior to interior. In addition, the museum’s sleek design creates a prestigious image of enterprise with its technical superiority - a style which has been used by Frank Gehry throughout his designs.Above: The cubist assemblage of interlocking forms demonstrated in Frank Gehry's Vitra Design Museum.
Cruciform glazed openings from the structures of the building, such as the central roof on the second floor, provide the museum with extensive natural illumination. The use of white plaster also added to the building's vibrance as well as the titanium finishes. This limitation in the choice of materials evoked the "Balancing Tools" rules.
Above: Displays of interior furniture of both special and permanent exhibitions within the building, shows how everything flows together.
Above: The curve structure effectively wrapping and enclosing the staircase inside the building.
The museum is not dependent on the Vitra Company as it covers its own budgets through exhibitions and publications of themes of furniture design as the museum hold one of the largest collections of modern furniture designs. It's one of his successful overseas projects which helped him gain international recognition.
References
- Museum Architecture, Justin Henderson, Gloucester, Massachusetts, 1998.
- Frank Gehry Vitra Design Museum by Olivier Boissiere and Matrtin Filler
- http://www.design-museum.de/vitra/architektur/index.php?sid=0156492183380fbab3ebd24c3f5943f9&language=en